Work in Progress Wednesday 6/21

I bet you hadn’t expected to read that title today!  To be honest, I really expected the next post to be the completed jacket, but other things have cropped up to delay the completion, and I’ve had to jump onto another project with a tight timeframe in the interim!

Daughter No1 has a favourite white shirt, bought a few years ago now from Zara.  It’s not only her favourite white shirt, I think I can say it’s her favourite shirt, hands down.  So she wanted another – here’s where I step in.  Can’t be that hard to copy a shirt pattern, right?  Except that she cannot part with it very long, I have a short attention span, and I cannot take it apart….  Anyway, she left it with me a few weeks (at least a month) ago and I promised that I’d make a pattern from it and return it to her, asap.

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The white shirt, collar, sleeve and concealed button fly

This weekend she asked, could she please have her favourite shirt back, she needs it!  Bother – I haven’t done anything with it!!  So on Monday afternoon I started figuring out how to do this.  I’ve not actually made a pattern from a whole garment before, I’ve aways been able to cut them up!  I started by pinning the front to some pattern paper, keeping the fabric smooth and trying not to stretch anything.  It worked up to a point, getting to the whole of the shoulder line and the armscye got tricky and I had to unpin some lower areas to release the tension.  I used a pin to pierce the fabric along the seam lines at sides, shoulder, neck and armhole, and just traced the outline of the front edge and the hem.  I did the same with the back, and found out that it was off grain when I tried identifying the centre line…  Also, the hem on the back is asymmetrical – this is not a design feature!

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The sleeve has pleat details, edgestitching on collar, cuffs and front edges

Laying the two pieces over each other made me doubt that I’d done this right, the shoulders and armholes didn’t look right.  A little Googling later I had decided on another course of action.  I have a roll of freezer paper sent over to me ages ago by an American friend.  I decided I’d iron this to the shirt, draw through the seam lines, peel it off and voila, I’d have a pattern piece.  Again, this worked – to a point.  Because it’s a large shirt I needed to move it around the ironing board a fair bit, so I couldn’t be sure that I’d not distrubed the grain, not stretched it out.

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Freezer paper makes copying garments easier

However, when I compared the shapes obtained this way to the pinning method, they weren’t all that far off!!  So, after checking the side seams were the same length, and the hem curve worked, I combined areas of the fronts and backs, traced both pieces and added front stand, seams, etc.  Now for the sleeve!  Sleeve is tricky, it has a box pleat at the sleeve head and a corresponding pleat at the cuff, but they are different sizes.  There are another two single pleats in the sleeve head, one on each side of the box pleat.  How to do this one??

I started with measurements.  Length of sleeve seam, length from shoulder point to cuff, width of cuff, width of sleeve (including pleats) at cuff.  Then I got happy with the freezer paper again, pressing it over the pleats and just marking where they go on the sleeve head.  I ended up with a fairly good approximation of what the sleeve would look like, just needed to add the pleats!  But – the sleeve head is not right, it’s too flat.  I’ll have to come up with a different way to copy this part.

I’ve checked all the edges, trued up the lines and walked the sleeve around the armscye on front and back, and it all fits.  The collar stand and collar were pinned to paper and I used the pin piercing method here again.  Walking the patterns along the seamlines shows they fit again, so I think I’m ready to make a toile.  I’ve allowed decent seam allowances so I can tweak areas if needed.

And the original shirt?  That’s in a first class package winging it’s way to London!  I just hope I’ve got all the info I need and that this toile works!!  Have you copied an intact garment before?  What methods did you use that were most successful?

August Plans

Well, July went past in a bit of a blur!  I’d had grand plans to whip up garments for #SewJapaneseInJuly, post some work in progress updates and show off the Burda trousers I finally made – but I did none of that!  At this point I think I’ll not worry with the work in progress, but I’d love to show you the Burda trousers as they were a pattern I loved when I saw them in the magazine, but knew they’d need pockets and a zip transfer!

Anyway – it’s August now and I have new plans.  First off…  I have enough summer goodies in my wardrobe, so I’m not making anything more for me – unless it’s something that really grabs me and I have fabric!!  I’ve dusted off my pattern cutting equipment and books and have started with drafting a trouser block for the other half.  Why?  He needs new shorts and doesn’t like anything in the shops and none of the patterns I have fit his requirements either.  I tried with the Jedadiah shorts, but nope.

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Jedediah shorts from Thread Theory website

As far as making for the other half goes, things haven’t been all that successful.   I made a coat block 3-4 years ago and drafted a beautiful coat pattern, bought shell fabric and buttons, but I’m still looking for the “perfect” lining fabric, so that project is still on hold!  I am hoping making shorts will be easier, I mean, chino fabric is not that hard to find, right?  And it doesn’t need lining, thank goodness!!!  The block toile fitted much better than I expected!  I just needed to shorten the crotch depth by about 2cm and reduce the waist by 2cm too.  I distributed that between the front side seam and back darts and it’s all good!  I hontstly expected much more faff, so this is a relief!

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Instructions for the trouser block

Once the shorts are done, I want to make patterns for office trousers too, he lives in his jeans and one pair of black wool pants that have to suffice for meetings.  Why only one pair?  Because he’s a fussy begger who doesn’t like what’s in the shops so drags this one pair of pants out for every meeting.  So I definitely want to make pants to his particular requirements.  Then I guess it’ll have to be shirts and a jacket or two!  But jackets mean lining and if the coat saga is anything to go by, jacket making could take a while!  If you’re interested, the book I’m using is Patternmaking for Menswear, I bought this a long time ago now on one of my London trips, a chain bookstore there had loads of books I couldn’t get hold of in sleepy Warwickshire.  Sadly it’s closed down now and I cannot remember the name!!

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Patternmaking for Menswear

I’m quite looking forward to pattern cutting again – get those dusty brain cells up and running!  Of course, making garments will always depend on finding the right fabric, so now I’m on the hunt for suppliers of good shirting fabrics.  I’m sure my usual fabric suppliers will do good on the wool suiting and cotton twill for pants and shorts.  Tomorrow I’m taking my machine in for a sercive and then I’m off to a tailoring supplier in Kenilworth, it’ll be good to see his stock in person rather than online.  There’s also a little fabric shop on the high street that’s come up trumps for good wool in the past.

So – apart from the odd request from the girls, I’ll be making stuff for the other half this month!  Oh – and toiling a pattern for a winter coat and raincoat for me.  Just because my summer wardrobe is full doesn’t mean I don’t have room available in the winter one!  And I need to use up scraps, so I’ve decided to make some pouches and little bags that I’ll sell later in the year as a fundraiser for an environmental charity.  Them’s the plans!

Coat Progress – Sewing Menswear

I’ve been promising Mr W something handmade for years.  It’s usually met with a look of doubt, those shifty eyes that say “yeah, right!”  The first thing I thought I’d make was some shirts, found lovely ex-Paul Smith fabric at some of the sewing shows.  Then he got fussy – “make sure the stripes follow exactly, make sure they join at the cuffs and collar, make sure it doesn’t look homemade….  Well, that last one did it!!  HOMEMADE!?!?!?!

Needless to say, that lovely Paul Smith shirting found its way to making shirts and blouses for myself and the girls instead and he got nothing!  But for a while now I’ve wanted to make him a nice coat, something smart but comfy.  He’s massively allergic to spending money on himself, so wouldn’t ever think of dropping £100 or more on a single item of clothing that only gets worn in one season a year.

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Patternmaking for Menswear by Injoo Kim and Myoungok Kim

I originally thought I’d make a peacoat, but after trying out the Thread Theory Goldstream, we realised the shape didn’t suit him.  So I resorted to drafting one.  I have a couple of menswear drafting books, but the only one that had a good enough looking block and resulting patterns was this one, Patternmaking for Menswear – Classic to Contemporary by Injoo Kim and Myoungok Kim.  I bought it about 2-3 years ago from Foyles at their Charing Cross Store.  (amazon link)  We’d had a day in London, finishing at the book store while we waited for our train home and ended up with quite a pile of lovely books!

Anyway, I’ve looked through it loads of times, but never found the time (or inclination) to use it, until now!  Having made exclusively for females, this book helped to make sure I was measuring all the right places with good photos of where to measure for a man.  The only thing I had a problem with – and it was a major problem, was the unit of measure.  As it’s a US book, it’s all in inches!!  I tried to work that way, but got myself completely muddled.  My ruler might have inches on it, but trying to find 6.3225 inches on my ruler just wasn’t happening!!!  So I threw out that draft, which looked so wrong it wasn’t funny, and converted everything to metric.  I have a chart in my notebook now with all the little bits of inches converted into nice and tidy millimetres.

So, depending on what works easier for you, you might like to convert everything before you start, or maybe you know where to find 6.335 inches on a ruler that shows only 1/8.  The draft, once the measurements were converted, looked much better!  You start with a torso block – I chose the slim fit as we wanted a more fitted garment.  Then that block is converted to a slim fit coat block.  You do the same if you’re wanting a jacket, start with the torso block and convert to a jacket block.  The sleeve blocks are drawn for the correct block.

The original block had a pretty good fit, the sleeves were too long (not sure how I measured that much!) and they needed a bit more room in the bicep area, but otherwise all was good!  The only thing that threw me a little was when you’re told to extend or move a line out 1/4 to 1/2 an inch, or 1/2 to 3/4.  Doesn’t sound like much, but converted to millimetres that’s 3-6mm or 12-19!  That’s a lot of mms!  So I opted for safety and chose the middle.

Drafting the style lines and making the working pattern was next.  We chose the Chesterfield style as the base for this coat, drafting the main body of the coat was straightforward and the instructions pretty clear.  When you get to the lapels, collar and facings though, you start jumping around the book.  The collar and lapels are in the jacket section of the book, facings in the shirt section and pockets are back in the coats!  I have a fair few bits of paper sticking out the top of the book to keep my places!

The first working pattern toile went together really well, I was pleased to note all the pieces went back together properly and all the notches lined up well.  Pretty chuffed with the two piece sleeve too, the head is nice and smooth.  “Client issues” were as follows:

  • Coat too long!
  • Sleeves still too long (how??)
  • Break point just a bit too low
  • Collar fall a little too short
  • lapels just too narrow

So these are my adjustments:

  • Shortened the coat by 32cm so now it’s just above mid-thigh
  • Moved the back vent up so it works properly with the new length.
  • Shortened the sleeve by 3cm, 1.5 above the elbow line and 1.5 below.
  • Lifted the break point by 3cm.
  • Redrafted the lapels 7.5mm wider and the collar 1cm deeper in the fall.

I made these adjustments to the pattern on Saturday and toiled again, adding the pockets, yesterday.  I was lucky enough that Mr W came home before I went to bed and so I was able to get him to try it on again and check.  It all works!  I got the thumbs up!!  The fit is great, he thinks it may be too long still, but any shorter and it’ll be a jacket….  A coat needs to at least keep your bum warm!!

My next task is to draft the facings and lining pieces.  He wants two internal pockets and I know they’ll need to be reinforced, judging by what he does to his jacket pockets.  I want to find him a jazzy, different sort of lining and he’s asked for extra trims on the inside.  So I might dig out my silk box and make reams of bias strips to sandwich into the seam between the facings and lining.

We had a devil of a time finding a suitable fabric that didn’t break my bank, I had thought this fabric from Fabric Godmother would be different enough, but he turned up his nose at the sample.  Evidently it’s “too different”.  Eventually in desperation I got some Melton samples from Fabworks and made him agree that the Classic Onyx Melton would do just fine for his first handmade coat.  If the inside is interesting enough..  (insert eye-roll here)

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Top, Onyx Melton from Fabworks, bottom, Navy Melton from the same, and left, blue and black wool from Fabric Godmother

That’s only part of my coat making adventure that was supposed to take place in September.  If you follow on Instagram, you’ll have see I’ve already finished one coat, and as soon as the person for whom it was made comes to put it on, I’ll to show it all off!  There’s another in progress, only at toile stage at the moment, but hopefully I’ll be able to move it forward this weekend after a fitting.  That’s everyone else’s coats, I haven’t even started on mine!

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Sneek peek of Burda coat 101 05/2017 in grey windowpane wool for Daughter No 1

Anyone else making coats this month??

Coat Month

So, I decided at the end of August that I needed to get making some coats before the weather turned.  Before it was cold enough to need one and it still wasn’t in a corporeal form…  This is in addition to still having numerous items yet unmade from Daughter No2’s summer list and thinking I might give the Refashioners 2017 challenge a go.  While I’m listing reasons why September is not a good month in which to try to make 3 or 4 coats, I should add that we had a week away in the beginning and still had Daughter No2 home until the middle of the month before she was back to uni.

But I had decided…  So what coats am I making?  I have the Eagle Jacket/Coat from Vanessa Pouzet for Daughter No2, the Goldstream Peacoat for Mr Not Compulsive and I wanted a new coat for myself, exactly which one was only decided after I saw @_ym.sews_ Waffle Patterns Tosti in the most amazing yellow dry oilskin.  I sort of wanted an Eagle jacket for myself too, but after toiling it realised it wasn’t the shape for me.

So, I took patterns with me on holiday and traced them out on the dining table in the holiday apartment in the evenings, helped by a glass or two of wine.  I toiled the Eagle jackets upon our return and Daughter No2 likes hers, the only alteration is to lengthen the sleeve by 2cm.  Mine, as already said will be recut as a different toile!  Now that I have the go-ahead for the Eagle, I hit a stumbling block.  She doesn’t like the fabric from the stash that I picked out.  Press pause on that project then.

After toiling the Goldstream Peacoat for the other half, that project was nixed.  He didn’t like the shape, it was too bulky, didn’t like the large collar or wide lapels either, then decided he didn’t actually fancy a double breasted coat….  So nothing about the Goldstream Peacoat then.  Back to square one, I decided to draft a coat block and put all the “right” ingredients together to form the “perfect” coat.

So in the meantime, it’s now the end of October and still no coats to be seen, but there are a few toiles.  None for me, I haven’t got that far!  But daughter No1 has chosen an pattern and fabric from the stash that I’ve toiled, fitted and adjusted, so that can get going.  Daughter No2 has also chosen a pattern and other fabric from the stash for two new coats, still to be traced, toiled and fitted.  The other half has a block that is undergoing a very slow transformation.  It seams the perfect coat will take a while to be realised.

Say tuned for more of what I’ve been doing while the coat projects hit their respective brick walls.

A Hot Weather Dress

My sewing machine has been working overtime during the last week and a bit, quickly trying to make the last few things for Daughter No 1.  The departure for her planned travel to Asia, Australia & America has finally come.  Amongst the things I made for her (which I will cover in another post) was this dress.  She wanted something that would just hang, not cling, and be cool to wear in the tropical humidity of Thailand, something suitable for cocktails on the beach in Fiji & totally wearable when exploring Rodeo Drive.  It needed to have fullness, but not be a tent.  She didn’t want extra fullness in the front, hanging from the bust.  She drew me a sketch of what she had in mind, then left me to it.

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A sketch of the dress Daughter No1 wanted for her travels

I started with her close fitting bodice block, drawing a one piece dress block and then converting it to the lingerie block.  This involves reducing ease and doubling the size of the bust dart.  For the dress pattern the bust dart was moved to the underarm position.  I added a section to the side, from the waist to make the fullness.  The double darts in front and back were eliminated, but the back dart was effectively transferred into the centre back, making the back shaped and fitted.  I also needed a swayback adjustment of about 2cm.  I intended to use an invisible zip in the centre back, French seams throughout and self bias for the top edges and straps.

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The toile in cotton. The swayback adjustment hadn’t been done.

The toile revealed that I needed a swayback adjustment, and that I needed to alter the fit of the top.  Daughter No1 wanted it a little looser.   I was concerned about the hang of the handkerchief section, but hoped that in the silk that we’d chosen that it would look a lot better.

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Dress in progress, silk definitely drapes better than cotton! And the swayback adjustment worked a treat.

The silk was given to me by a friend, it’s got the most beautiful sheen and drape, but for me, it was just a little too bold.  However, Daughter No1 loved it!  The bands are a red and white hatched pattern, while the blue is actually purple and black.  I only had two metres and it was pretty narrow but we had just enough to squeeze the dress out.  I was worried that there wouldn’t be enough for the bias strips.  Thankfully that wasn’t the case in the end, I didn’t really need that much bias.  But please remind me that working with narrow bias in silk really isn’t easy, and tries the patience of anyone, especially when you’re up against the clock.

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Putting an invisible zip into a french seam, reinforcing the area with fine interfacing.

I made the pattern on Saturday night, toiled it midday Sunday, made the adjustments and got cracking immediately.  It had to be finished by 11am on Monday morning!!  Needless to say I was still handstitching bias at 11am so we left a little late for the airport, but all was good, she loved the dress and stuffed it into the rucksack straight away!  I am hoping to see photos of it in far of exotic places on Instagram soon!  Here it is on Betty, my vintage mannequin.

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I love the drape at the sides, and the slight drop of the handkerchief hem.  I really do hope it sees lots of wear in the next 6 months!

Slow Sewing

This year is going to be a different one for sewing. If you haven’t already noticed, things are going much slower. By this time last year I’d completed 22 projects, this year I’ve done 13 and am working on my 14th. It’s not as if I have less to make, or less fabric to play with. Just less time.
I have stuff I need to photograph, neither Camas Blouse have made it to the pages of the blog yet, despite them being completed late January, early February!  Here’s a glimpse.

Marking the seamlines on the reverse of the sequined shoulder yokes.
Marking the seamlines on the reverse of the sequined shoulder yokes.

 

The completed sequined shoulder.
The completed sequined shoulder.

A sneaky selfie in the back of the florists, the first outing for my Camas Blouse
A sneaky selfie in the back of the florists, the first outing for my Camas Blouse

I decided this year to get my act into gear regarding trousers too, the styles in the Burda magazines aren’t floating my boat and there really is a limit as to how many times you can remake a pattern, no matter how you think they look so different in different fabrics.  So I’ve managed to get a new pair of self drafted trousers up and running too.  I stole a couple of different styling ideas from different patterns I like, like pocket shapes and cuffs.  I’m pretty happy with the first pair, I think the proof will be in the wearing though, so I’m holding off rushing to make a new pair before I’ve worn these a couple of times to identify areas of improvement.

Sketch of the intended pattern and a pile of taped together bits of paper forming the pattern pieces!
Sketch of the intended pattern and a pile of taped together bits of paper forming the pattern pieces!

Adjusting the style lines after the first toile.
Adjusting the style lines after the first toile.

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Almost there, fly zip, topstitched square shaped pockets.

My current project is a simple v-neck tee from a self drafted block.  I’d needed to adjust the original block heavily, apparently Winnie Aldrich doesn’t really mean 0 ease when she says it for a tee block!!  I think it’s sorted enough, so I’ve marked the fashion cut and created the style pattern I’m after. I need to toile it today, so fingers crossed.

Simple shaped tee, 3/4 sleeves and a wide v-neck band embellished with beads
Simple shaped tee, 3/4 sleeves and a wide v-neck band embellished with beads

The one thing about making garments with jersey is that each and every jersey behaves differently. I’ve even had different results from the same bamboo jersey in different colours!! Does the dying process have an effect?? Who knows.  This time I’m using a pale grey viscose jersey I bought from Croft Mill Fabrics last year, it’s not one of those flowing jerseys, so hopefully it works well with the simple shape.  I decided to lift it from being a boring grey tee I’d dig out a tube of silvery beads and embellish a bit.  We’ll see if my hands behave enough for me to hold a beading needle long enough to get any beads attached!

Speaking of hands, I’ve been rushing to crochet enough granny squares to make a throw for daughter no2 before I have to stop.  Holding a crochet hook is not easy at the moment, but I’ve managed fairly well so far.  I crochet like mad when my hands behave and then have to leave if for days other times.  I hope I get it all finished and put together before she heads off to University in September.  I have a long way to go yet!

This was the last photo I took of the growing pile.  I have another 18 to add to this.
This was the last photo I took of the growing pile. I have another 18 to add to this.

Of course, just because I am not sewing much doesn’t mean I’m leaving the growing of the stash alone.  I persuaded Daughter No1 to attend the Sewing for Pleasure at the NEC last week with me, on the promise that I’d buy the ticket, lunch and any fabric she required.  Sucker.  We got a good haul, she left with silk and wool tops for embellishing, wool felt and silk woven pieces to add texture to her latest project.  Me?  Well, I left with these, amongst other things…

Cotton poplin for a dress and 40s stye shorts for daughter no1
Cotton poplin for a dress and 40s stye shorts for daughter no1

just one of the pieces of Linton tweed, this is a cotton weave, destined for an edgy, modern jacket for daughter no1
Just one of the pieces of Linton tweed, this is a cotton weave, destined for an edgy, modern jacket for daughter no1

Silk print onto cotton, the most amazing colours!  I got 2 lots of 2 metres, neither for me!!
Silk print onto cotton, the most amazing colours! I got 2 lots of 2 metres, neither for me!!

You can never have too many books to assist with fitting issues.  Everyone has a different opinion!
You can never have too many books to assist with fitting issues. Everyone has a different opinion!

So that’s me for now.  I have lots to sew and lots to crochet and lots to photograph!  Daughter no1 will be home for the Easter Hols soon and I have lots of things I want to make for her before she goes back to University, so I’m going to have to hurry up just a little.

Look Ma, I’m Wearing a Print!

It's a print!
It’s a print!

I’ve finished another self-drafted blouse!  I really needed more tops & blouses, Me-Made-May has shown that pretty clearly!  I have enjoyed it so far, especially showing off what Daughter No2 has in her wardrobe, but I’m having to repeat stuff.

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I used some of the pieces from the Midnight Blues blouse for this.  The back yoke & collar, neckline and front bands are the same.  The fabric I finally chose is a Liberty City Poplin.  It is pretty sturdy and very crisp, so perfectly suited to a more structured style.  I love the colours, the flowers are off-white and the ground is a blue-grey.  The pattern has alternating bands of small & larger flowers, so I lay the pattern pieces so that the smaller flowers lined up with the waistline.  The hope is that it looks like I have more shape in that area – not sure if that’s worked!

Front details
Front details

The front has a yoke at the shoulder that the bodice gathers into.  I converted the large shoulder bust dart into 3 areas, first the gathers at the yoke, then a 5cm underarm dart & the remainder went into the waist dart.  This was sewn as a dart tuck instead of a full double point dart.  I wanted more of a relaxed look, this fabric is quite sturdy, and while that lends itself to a more structured style, I wanted to be able to relax in it!

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The back also has a yoke, but there are no gathers here this time.  A central back panel & two side panels  make for a fitted look, something you need when using a sturdier fabric.  This stuff does not drape!  I curved the hem a little more than I have on previous patterns, mostly because it was going to be closer fitting.

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I love how the blouse looks with my dyed linen trousers, it also looks good with jeans but slightly all too pale with light linen.  Perhaps I just need more summer, that’s when the pale colours work!  I recon this is a good pattern, now I have another two still to toile, not to mention all sorts of other things to make.

I want to take part in the Sew Indie Month & have ordered the Snowball dress by Waffle Patterns (they’re a new one to me, but I love this dress!) which I’ll make for daughter No2, and the Carme blouse by Pauline Alice, which has had a fair bit of coverage on the internet.  Best I get cracking!  🙂

Introducing Lizzy – A 50s Inspired Wiggle Dress

Lizzy
Lizzy

I have finally made a dress for Daughter No1!  It isn’t the dress I’d sketched for the Miss Bossy Challenge, although that is underway.  This was partly inspired by a vintage pattern I have and Daughter No1’s desire to have a “grown up going out” dress.  The fabric is a stretch cotton John Kaldor print I’ve had for a very long time, just waiting for the right pattern to come along.

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Normally skirt lengths for this young lady are most definitely above the knee, and being petite that’s the way she prefers them.  However, no wiggle dress I know has hems that short, this one finishes just below her kneecap, dead on 60cm from her waist.

DSC08241-1I used the 2-piece dress block, making the finished length 60 cm and removing 1.5cm from the hip, tapering to 3cm at the hem.  She was definite about the hem being narrow!  The front skirt dart was converted into a pleat, and I added a second, but the added width does not extend to the hemline.  The back skirt retains its 2 darts and centre back seam.  I tapered the centre back seam to lose 1.5cm at the hem, then I added a 15cm long vent.  then she decided she didn’t want a proper vent, just a split.

DSC08235-1The front bodice has waist and underarm darts and a simple neckline, it’s in the back that the fireworks are happening!  The back has a deep “V” that crosses over the centre back line about 15cm up and overlaps at the waistline by 5cm.  The back bodice dart was converted into a pleat and moved to the intersection of the centre back seam & the waist seam.  Once I’d determined the line for the back I added a 5cm grown-on facing.  There is a 25cm invisible zip in the skirt in the centre back, and the crossover bodice is fixed with a pair of press studs.

Detail pictures of the hem, closures & slit mitre
Detail pictures of the hem, closures & slit mitre

I am really happy with how this dress has turned out, and I hope I get to make another!  We just need to see how, with wearing, that back holds up.  I have a feeling I may have to put a hook & eye or something where the two back pieces cross, just to ensure there is not too much gapping.  But for now, it’s gorgeous, & Daughter No1 loves it!  So I’m happy!  🙂

lizzy Collage

 

Result of Being Bossed Around

Poll Result
Poll Result

It’s official – the most votes in my poll went to…….  Drum Roll

The 1935 jacket for Daughter No2!!  Husband’s shirt lost by a mere 4 votes!  I guess that means I have some work to start getting on with!  But – I will also be making the patterns, and garments, for the other offerings.  In order, I will make a shirt for Husband, then the maxi dress for Daughter No1 and the wiggle skirt for Daughter No2.  They will all get done, in that order, but not necessarily all in March.  It all depends on how long this all takes me!

I must just warn you that the jacket might not come out exactly as the picture.  This is because Daughter No2 likes to have some sort of input into what she ends up having to wear, & she has some ideas on changing some of the style lines.  But stay tuned, it’s going to be a bumpy ride!  🙂

I am really looking forward to the results of all the other polls, and getting to see everyone’s finished garments.  March is going to be good for sewing!

Miss Bossy Patterns

Better a little late than never, right??  So, as you may have guessed from the profusion of blogs with polls asking you to choose the next project, the Monthly Stitch has decreed that you, the reader, should choose the project to make in March.  Apparently we all have a huge stash of un-used patterns, as well as fabric.  Moi, never..  ;p  Now I’m not sure how I would ever have narrowed down my  250 vintage patterns & 21 years of untraced Burda magazine patterns to just three, so I have come up with a little twist.

There are four pattern cutting projects I really want to get on with, but procrastination is hampering the start.  I want you guys to decide which I start with.  I might, just might, use the poll results to rank the order of all 4 projects and do them all, but lets see how we go, shall we?  They certainly won’t all be done in March!!  🙂

First up is a shirt for Husband.  Poor, long suffering husband.  I promised 2 years ago to make a shirt, a few, actually.  I even bought 3 pieces of fabulous stripe ex-Paul Smith fabric to do so.  I made a shirt block & even toiled it, then we put the house on the market & do you think I can find that stuff??  Oh, I have the fabric – phew!  But the paperwork has completely vanished.

Pattern Cutting for Menswear by Gareth Kershaw
Pattern Cutting for Menswear by Gareth Kershaw

Using the last of an Amazon gift voucher, I bought “Pattern Cutting for Menswear” by Gareth Kershaw.  I thought I might try it as an alternative to Winnifred Aldrich’s dated styles.  It was for research purposes, you know.  So that’s offering No1, a shirt for Husband from either of these fabrics, pattern cut from that book.

ex-Paul Smith stripe cottons for Husband's shirt
ex-Paul Smith stripe cottons for Husband’s shirt

Daughter No1 came for a fleeting visit this weekend, and left with a request for some maxi-dresses for the summer.  She & Boyfriend are off to somewhere much sunnier & warmer than the UK for a couple of weeks in June, & she’d love something new.  I have a dress block all fitted for her and the most gorgeous blue viscose fabric with a large off-white flower print that would make a fabulous drape-y maxi-dress.

Caramel stretch twill for daughter No2, Blue print viscose for Daughter No1
Caramel stretch twill for daughter No2, Blue print viscose for Daughter No1

I did a quick sketch, a cross-over front with soft gathers into a fitted midriff piece.  Pleated skirt to fall to her ankles.  She has trouble buying maxi-dresses, they’re all far too long for her, poor little thing!  Anyway, I think this is going to look stunning on the little monster.  That’s offering no2.

Maxi-dress sketch
Maxi-dress sketch

Offering no3 is a skirt I sketched for Daughter No2 last year, I bought the fabric & everything, but never quite got round to getting the pattern drafted.  Bad Mom!  The fabric can be seen in the photo of Daughter No1’s print viscose.  It’s the most amazing caramel colour stretch twill.  She wants a wiggle skirt with pleated detail on a front seam, the sketch in the centre.

Skirt ideas for Daughter No2
Skirt ideas for Daughter No2

There are to be two tabs going opposite ways, fixed with buttons, a simple waistband and possibly a kick-pleat in the back seam.

I did say I had four options, and you would think that the next one would be for me, wouldn’t you??  But I am saving mine for next month…  Instead I have a jacket that I drooled over the sketch of so much that I decided to make a pattern (and the jacket) for daughter No2 for Xmas.  Needless to say, that didn’t happen!  So, it’s on the list for March, offering no4.  Here’s the picture again.

Vintage jacket from 1935
Vintage jacket from 1935

Fabulous, no???  I found the image on the New York Public Library’s Digital site.  Proceed with caution people, you can get totally lost in there, browsing the most amazing images!  So, for the jacket I have a cute grey & black houndstooth wool which may or may not have contrast plain black collar & lapels.  It will need a vibrant lining though, so that will have to be purchased.  Otherwise the fabrics will come from the stash!

Wool for 1930s jacket
Wool for 1930s jacket

That photo makes the houndstooth look more like grey & grey, but it’s just the lighting.  So those are your four options.  All are patterns I want to make, none have been used by me before (’cause they don’t exist yet!).

So which one am I to start with?  It’s in your hands.  You have until Friday, midnight!!

ps, be kind…  😉

 

 

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