There’s a new colour in my wardrobe – and I think it’s here to stay. I made my first green item in 2019, a pair of linen Teddy Pants. They were followed by a pale green and white pair of Kana’s Standard pants and an LB Pullover in the same fabric, but that’s as far as that incursion went. Until this year… I fell in love with a Monstera print, olive green and ecru, and just had to have it! What would I make with it? Why another Olya Shirt – of course!
No pattern or fitting adjustments or changes from the last time, I’m pretty happy with the pattern on me. The only thing that would change would be how the fabric altered the finished look and shape of the shirt. So far my favourite is the black and white graphic print Olya, it’s soft but has body. The striped one is a fairly heavy viscose, so it hangs more. This viscose challis is soft and drapey and feels fabulous! I bought it from The Rag Shop at the end of May. Knowing that we’d be away for the last week, I asked that the shipping be held back so that the parcel would arrive after the May Bank Holiday. It worked, and I had pretty fabric to add to my holiday purchases on the wash line!
The fabric was lovely to work with, and I knew just what to pair it with on the bottom half! While in St Ives, I bought 2m of a cotton/linen blend, the colour is a pale beige – the result of two colours woven together, white and beige. It’s got body and no drape, but it is perfect for trousers. I decided on the Kew Pants from Style Arc. I’ve made then only once before and thought that this fabric would be great to hold the shape of the cocoon leg. I made the 14 this time, the waist of the 12 is just too snug.
I altered the angle of the front crotch line and curve, and took the inseam in by an extra cm, made the front look much better. The waist fits properly now and the cropped ankle length and width works better in the bigger size. The curved hem detail can be a little tricky to get nice looking on the inside. The pattern instructions have you simply fold under the seam allowance and topstitch in place, but it really isn’t a nice finish. I cut short pieces of off-white bias binding and used them instead, pressing in a tight curve first.
These are such cool pants, I love that they sit nicely on the waist and the rest is loose. The pockets are a good size, perfect for a phone, mask and card wallet! I rarely use a handbag these days, not needing cash means no need for a proper wallet, all I need is plastic. Pairing the black and white Olya with the black Kew Pants I made last year looks great, so I was keen on repeating that with these two projects.
I love these two items together, tucked in, tied in front or simply left loose, they’re comfy and good looking! Being beigey-cream, the trousers slot into my wardrobe perfectly. I love the addition of green in the wardrobe this summer, I have a RTW green and ecru tee bought in Padstow to add to the mix, and am planning a plain olive tee soon!
I am late to this particular appreciation society. I have numerous Paper Theory patterns, but only purchased the Olya Shirt in October last year, and only made it up in May! And people, I cannot tell you why I left it so long! I can only say that I thought wearing a “proper” shirt again after living in jersey tops would feel odd. Well – it doesn’t! I bought the pattern after making the blouse with the huge sleeves last year, there was just something about that fabric sitting on the cutting table that made me think of the Olya pattern, and I jumped.
This version was made hot on the heels of the dark navy blue one, as in I cut it out on the Saturday morning after the Friday finishing! No changes to the overall pattern, just the sleeve binding and placket construction. This time I sewed both pieces to the outside and turned them in, instead of sewing to the inside. I just prefer this method. It means I just sew the straight seam and leave out the short sewing line making the “box” at the top, as this would get in the way of getting everything out of the way to the inside. The finish is good and I’m happy with it- having handstitched on the inside again. And guess what – this time I managed to get the pieces on the right side! I have proper cuffs!
What I love is how different this one feels to wear compared to the heavier viscose crepe of the first one. I’m going to be making more of these! The fabric is a cotton/silk voile that I got probably 3 years ago now, and it’s fabulous to work with, even better to wear! Usually I’d French seam this fabric, but opportunities for that finish on this shirt are non existant, so the overlocker had to do. It is still neatly finished on the inside, and there is no visible bulk on the outside. Cuffs and collars and the buttonstand were interfaced with fine sheer fusible. I was lucky to find enough buttons in the stash that worked, I didn’t want solid colour buttons, so these with the fleck of white work really well. I’ve worn this shirt so many times since making it – basically as soon as it’s washed and ironed I make a reason to wear it!
I love it with the trousers in my current wardrobe – particularly the Kew Pants and Teddy Pants from Style Arc, & I can’t wait to try it with the linen trousers in my summer wardrobe, but the weather is seriously messing us around! April was cold and dry (only 9% of the usual rain fell!) and May is making up for that instead of being the glorious introduction to summer that we all love. So for now, I only have winter trousers to try the shirt with, but I’m happy anyway. I have some olive viscose with a leaf print on its way for another shirt, and I might have had to order olive linen for trousers to go with it! It looks like olive will be my new rust.
In the mean time – if you’ve been eyeing out this pattern with an idea of making it, look at the photos on Instagram, #olyashirt, and see how well it suits just about everyone who’s made it! If you’re not into too much ease, go down a size or two when you toile, but give it a try! I really do love this pattern and I can see more in my sewing future – I might even try a colour blocked one!!
Well, here’s the first of what will be many! Finally I have photos of the finished Olya Shirt I started at the beginning of March. With the weather being so rubbish, I had a long time to wait for something decent that did the shirt justice. Of course, this means that in the mean time, I was able to wear the shirt and be even more happy with it!
As described in the work in progress post, I made the 14, with no adjustments. I also changed the constructions of the cuff binding and tower plackets slightly – spending so much time on getting those pieces on nice and straight that I made a rather large mistake… I put them on the wrong sides!!! Nevermind, the shirt still works, but I was annoyed when I finally discovered it when I put on my perfectly made cuffs!
It hasn’t altered my love of the shirt. As previously stated, the instructions are good and clear and leave no doubts as to how to proceed. The fabric is viscose marocaine, which has a crepe-like texture. It’s heavier than regular viscose, not as drapey. It was great to work with as it doesn’t slip around!
I’ve worn this shirt loads and now wonder why I hadn’t got round to making it earlier, I have had the pattern since October! I’ve made a second already, and am planning a third to happen pretty soon!
Three minutes left of Wednesday – where did the time go!? I thought I’d show you all my latest sewing project, as I seem to have been sewing in secret lately, and only showing off finished items. Today, I’ve been making the Olya Shirt, pattern by Paper Theory. I bought the pattern in October/November last year but only managed to get it toiled last week!
My measurements suggested I make the 16, but the finished measurements indicated a lot more ease than I’d usually be comfortable with. Yes, I do know this is ssupposed to be an oversized shirt, but there’s baggy and there’s tent. At frst, I thougth I’d toile the 12, but hedged my bets and went with the 14 as a middle ground instead. Perfect choice! I decided it needed no adjustments, sleeves are the right length, cuffs not tight, shirt length fine and just enough “oversize” in the circumference measurements.
My fabric is from Rainbow Fabrics, viscose morrocaine (sadly now sold out). It has a lovely, crepe-like texture, and the dark dark navy and ecru irregular, zebra-ish stripe is right up my street. It is light and drapey, but has good weight and doesn’t slip around like ordinary viscose does. Cuffs, collar pieces and front band are interfaced with a fine sheer polyester interfacing, not adding bulk.
The construction of the shirt is different to your usual shirt, because of the style lines. The front yoke and sleeve are one piece,and the shoulder seam and insertion of the sleeve head happens in the same seam! It looks like it’s going to be clunky, but it’s anything but. Tara’s instructions are clear, unambiguous and direct. Some indie designers get so into the instructions that they get confusing and I ignore them entirely!
One thing I did differently, right at the beginning, was to change the way the sleeve plackets are sewn. I sewed the tower placket piece as described, but the binding I sewed to the right side. This is because I don’t like seeing stitching on binding, and if I’d done it the original way, I’d have to stitch on the front. This way I handstiched the binding on the wrongside and topstitched the placket on the right. Small changes. I also staystitched the neck edges as soon as they were ready. You don’t put the collar on until quite late in the game, and I didn’t want any stretching.
Talking about stretching out, be careful with handling the fabric pieces, the sleeve and shoulders can start to stretch before you get to sew them, so don’t let the pieces hang. I pick up my sewing in a bundle so nothing hangs and drapes and potentially stretches out before I get to sew it up.
So far I’m really happy with my shirt, it’s all going together really nicely and at the end of the day I have the buttonbands, collar, cuff and hem to do. And I need to find buttons. What’s the bet that, even with a drawer full of buttons, I won’t have the “right” buttons?
Me again! I might finally be back in the UK, but the sewing is s.l.o.w.! I haven’t quite got back to “normal”, because life isn’t normal. Mr W moved his office into my sewing room while I was away and he had to work from home. Now that work can happen at the “proper” office, but only twice a week, he’s still firmly ensconced in the sewing room. It’s hard to find room for sewing machines and ironing amongst the computer, A3 files, boxes of samples and other paraphanalia a busy architect needs. Not to mention the constant phone calls, with and without video…
So the sewing has been happening on the dining table, cutting out on the living room floor. It’s not ideal, and I’m still itching to sew more, but I think we all need to get used to life as not-normal. It’s been weird to have continual company nowadays, instead of being on my own all day! But, I do actually have something I made to show you.
Back in June, there were a couple of “challenges” I thought I’d join in with, the #JumpingIntoJune sewalong encouraged the making of jumpsuits, and Stephanie at Sea of Teal was promoting sewing with prints for June’s Sew Your Wardrobe Basics. So, on the last day of June I cut and started a print jumpsuit. Not so much jumping into June as jumping out of it!
I do love the Zadie Jumpsuit, it’s so comfy to wear, and quick to make. This version is the size 16, with no FBA! I had realised with the last summer version I made last year, that with the FBA the waistline seam sat too low. So I reversed that adjustment and just made the smaller size. I’m happy to report that it’s all worked, fits properly, doesn’t gape, and the waistline is in the right place.
The fabric is a cotton shweshwe print I bought in South Africa in May. This isn’t the Da Gams Three Cats fabric. It had “Cheetah Shweshwe” in the selvage, but I can’t find much info about it. It’s wider than the Da Gama fabric at 150cm and slightly stiffer, but that will go with washing. It’s no stiffer than the blue linen used for my first Zadie. I love the spotty print, it caught my eye in the fabric shop immediately, and straight away I knew I wanted to make the Zadie Jumpsuit with it.
This isn’t the end of my Shweshwe journey, I bought another piece for myself which will become a nice new pair of Carolyn PJ pants, and lots of pieces that I bought for making things for the girls. Now I just need the time to make it all up!!!
Phew, it has been a while hasn’t it?! It’s been a crazy couple of months, and so, so much has changed, some things forever. The last time I popped in, I was sewing for the Great Module Sewalong. That all came to a grinding halt when I got the news that my Dad had passed away suddenly at the end of the first week in March. I got on the next available plane home to South Africa with my girls as support to do what I could for my Mum, all thoughts of sewing left behind.
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Then the world went mad. Luckily the girls were able to get home just in time before the barriers came down and the walls went up. I had had no plans to sew much, my thoughts were of paperwork, loose ends (of which there are still many) and support for mum. Naturally I missed my favourite activity, as well as my allotment, which I had to leave just as seeds were germinating – along with millions of weeds.
I had planned on fabric shoping however. But in the crazy first two weeks out here, there was no time for that second favourite activity. Then the government announced a nationwide lockdown, all but essential services allowed to operate, and fabric shopping went completely out of the window. Now we’re into May and a relaxing of the rules, fabric shops are allowed to be open to sell fabric to make masks and winter clothing. Yes, May in the Southern Hemisphere is winter, although with temperatures this week in the mid to high 20s, it’s not anything like a UK winter. Or summer! 😀 Thankfully winter means no humidity, just nice warm sunshine.
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Anyway, back to the shopping!! A typical South African cloth is produced here in East London in the Eastern Cape, Shweshwe. I wrote about it a couple of years ago, if you want to know more. The Da Gama factory isn’t open, but the factory shop in town is, so, under the guise of requiring lots of cotton to make face masks, Mum and I went shopping. As it’s “winter”, I decided I needed another couple of pairs of longer than cropped length trousers. I got two lots of 2m of Shweshwe for some Style Arc Kew Pants, I’d bought the pattern in their Easter Sale with the Como Top and the Teddy Top, to go with the Teddy Pants.
But – I’d completely forgotten that Shweshwe is only 90cm wide… 2m will make one trouser leg, not a pair of trousers! Of course, that meant we had to go back! This time I had better plans, get another 2m of one of the fabrics to actually make the pants, and 1.5 to make an Ogden Cami to go under a thin jumper I’d brought with me. But then I spotted a waxed cotton fabric while waiting for the assistant to cut the Shweshwe, and fell in love! So I bought 4.5m of the best bold, but neutral print wax cotton they had. And 7m of Shweshwe with a cream ground with brown and orange print for daughter No1. I hope it all fits into the suitcase… Daughter No 2 has yet to put in her order.
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So, lots of shopping, but what about the sewing?? Well, I think we’ve finally reached that part of the lockdown when we’re done with most of the big jobs, and now I feel that I can take a bit of time to myself and make something. Once I’d realised I’d made a boob with the fabric amounts, I thought I’d make a top with one of the pieced I’d bought originally. The fabric has body even after the wax has been washed off, so nothing drapy. Immediately the LB Pullover from Paper Theory sprung to mind. Thank heavens I brought my laptop with me on this trip, so I had immediate access to all my pdf patterns. I just needed to print it off. Now here’s where mum came in useful – she and dad own a stationery shop, complete with everyting I need to trace a pattern, and to print it too! The only downside was having to print on A4, but an evening with the scissors, tape and a couple of glasses of wine made short work of that tedious job.
I made the 16, no adjustments. The 2m was literally just enough to squeeze the pieces onto, and I had to piece the bias cut collar together. There were only the smallest scraps of fabric leftover. It was the perfect choice of pattern for the fabric, and print and I love it! It’s going to fit into my wardrobe at home perfectly, as well as add colour and shape to the small amount I’ve brought with me. It’s very tempting to make another, but I need to keep an eye on the amount of weight of that suitcase, especially if I’m going to be stuck here for another few months…
I knew I wanted another Zadie Jumpsuit, pattern by Paper Theory, the minute I finished and tried on the first one! I’ve loved wearing my blue linen Zadie, and just needed to find the time to make another. I chose a piece of linen that I bought in South Africa, grey with white stripes. The stripes run perpendicular to the grainline, but as there is no movement in either direction, I figured there’d be no problems in turning that 90 degrees. I wanted the stripes to run vertical on the trousers, and horizintal on the bodice. The stripes were pinned togetther to make sure they stayed in line with each other.
I changed the size a bit, leaving the bodice at size 16, going to the 14 on the trousers. I found the previous pair got a little too baggy in the bum, so these will be better. I hope! It’s certainly as comfortable to wear as the first one, but softer and drapey. This linen is not starchy like the blue, but has a lovely soft handle. It’s also relatively thin – because the weave is more open. This makes it nice and cool to wear. That’s something I’m really looking forward to for this week when the temperatures are set to hit the 30s.
There’s not much left of that fabric now, I started with two metres and was pretty chuffed to get the pattern out of that! I might see if I can add the left overs to some white and black linen of similar weight and made a patchwork item, I’ve been inspired by what Lauren at Elbe Textiles has been making with all her scraps. This week I’ve made bunting for my new allotment shed with some of the more cheerful orange and blue scraps, looked out the remains of some blue and rust linen to make a nice cover for a cushion, also for the allotment shed, made beeswax wraps with different sized squares of cotton, used up some of the plain coloured linens and two patterned cotton pieces to make – something…
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I know, I was originally thinking I’d make shopping totes, but when I’d patched all the pieces together they looked so nice, so I kept going and now I have something that resembles a small quilt or throw – without the back. I don’t think it’s something I could wear, but I don’t want to chop it up and make bags now. Sooo now I have to find a big enough piece of fabric to back it with. Or – cut more squares out of something else in the scrap box and make a reversible throw! Oh dear, I’ll see you guys later, if I ever resurface from that scrap box, Pinterest and all the ideas.
So far, June has been a thouroughly disappointing summer month. Totally unlike the lovely hot weather we had last year, even though that was highly unusual weather. June in the UK is quite like April, it rains on and off all month. But this June seems to have been extra wet, which means I’m not gardening, so more sewing time!
I’ve made a start on using the fabric I bought while in South Africa, it’s all washed and ironed and ready to use, and I’ve managed to find some patterns to go with some of the pieces. One piece I’d bought with a pattern in mind, the LB Pullover from Paper Theory. But – I changed my mind at the last minute and went with the Kabuki Tee instead. The fabric in question is linen, it used to be black and white wide stripes, but after washing is now black and pale grey!
I quickly ran into a problem with the fabric though, I’d seen it in my head with the stripes running horizontally, but on laying it out on the cutting table realised the stripes ran parallel with the grain, so now they had to be vertical! I really wasn’t sure if I wanted stripes running up and down. I draped the fabric over my shoulder and swanned about in front of the mirror for a bit, to make up my mind, and eventually went with the stripes running vertically. As it turns out, it was the right decision.
As with the last Kabuki Tee, I reinforced the pivot area with a scrap of fusible interfacing to give it a bit more strength, and I overlocked the insides as I sewed. I have a feeling though, that the next one I make will have to be a size down, as my measurements continue to get smaller, I think it’s time to re-trace some of my patterns. Now all I need is the right weather to wear the finished article! I could wear it with a long sleeve tee underneath, but unfortunately all my winter wear is in the loft!
I prefer wearing this top with a more straight leg or fitted pair of trousers, jeans are great, but wide legs don’t suit it quite that well. Which is odd, because the chambray Kabuki I made before heading off on holiday looks great with wide leg trousers…
I’m on a Paper Theory roll at the moment! I’ve enjoyed making and wearing the LB Pullover this year, and the Zadie Jumpsuit had its christening this week on holiday in South Africa. It was lovely to wear! The other pattern I’ve made is the Kabuki Tee. It’s a loose, boxy, oversized tee pattern, designed for woven fabrics. I’d admired the large sleeves and front detail, with the opportunity to play with direction with stripes or other patterns.
This first garment is a plain, I bought some grey chambray earlier in the year with the Kabuki in mind. It’s probably a little stiffer than would be preferable, but I like the way it keeps the boxy shape of the design. All the edges were overlocked after sewing the relevant seams to keep it all neat and tidy inside, and I topstitched the armhole/sleeve seams.
It’s a relatively quick pattern to make, the instructions, as with all the other Paper Theory patterns are pretty straightforward. To make sure that there wouldn’t be any holes or inclination to tear once the corners on the front and back were snipped to allow for rotation and insertion of the sleeves, I interfaced that area with a scrap of fine sheer fusible. It just gives a little more stability to the fabric that’s going to be weakened.
I’ve worn the tee twice on my holiday in South Africa, and it’s been really comfy to wear. Hubby doesn’t like the oversized armholes, says need slimmer sleeves, but I like the look. I’ve also made a version in viscose, just to see how it looks in a much more drapey, fluid fabric. But I haven’t managed to wear that one just yet, so pics are non-existant!
I dragged the other half to a fabric shop to stock up on fabric to refill my suitcase (having emptied it of loads of stuff I brought out for friends and family) and picked up a black and white wide stripe linen that will either be another Kabuki or possibly another LB Pullover. I’m liking the idea of stripe manipulation…
I’ve been after a good jumpsuit for a while, and made one last year from a German magazine that Chris gave me. I liked it a lot, but it needed more adjustments to be perfect. I even bought more fabric to make another, but the summer disappeared on me and I thougth I’d wait. I then had an idea to make a pattern from the top portion of the Sew House Seven Tea Dress and a wide leg trouser pattern (more than likely from a Burda pattern) and see if I could make something work. But other things landed on my sewing table and I hadn’t got round to more than just think of the idea. And then Tara from Paper Theory posted her progress on making a jumpsuit pattern available. I thought I’d just wait for that, given how good her first foray looked last summer when she drafted one for herself.
The pattern was released a week and a half ago now, and I’ve made mine!! Actually, if you look on Instagram there are some great examples of the #ZadieJumpsuit to be seen. Lots of different fabric types, pattern or plain, and on lots of different people. I started by tracing the sizes 14-18. I’ve had a bit of a change in measurements lately, and can start sizing down! (yippee) Checking the finished measurements against my current measurements, and knowing how much ease I can get away with, made me start the toile with the size 16, with no adjustments. I already knew I’d need an FBA, just not necessarily in width. Making the toile means I get a proper idea of how much length I need to add to the bust depth. I also thought I might need to size down in the legs, as they’ve been getting skinnier! The other alteration I thought I’d need would be to shorten the legs – but by how much?
I made the toile in an old duvet cover from the charity shop, and it ran up really quickly. The instructions are really clear and easy to follow, with diagrams if you need them. Once on, I knew I’d need that extra length in the bust depth! Standing up straight, I marked the bust point with a marker pen, then I pulled down the front so the waist was actually on my waist and then marked the bust point again. There was 3cm between the two points. Voila! Extra required bust depth! The crotch depth was also low, like MC Hammer low! 😀 So I pinned up 4cm and it felt much more comfortable. By doing this, I improved the look of the length, the trousers looked like they finished in the right place, so no chopping of leg length! Woohoo…
So, back to the paper pattern, I drew a line perpendicular to the grain line on the bodice front that lined up with the lower marking of my bust point. Then I cut along that line, stuck the bottom bodice piece onto a piece of paper, extended the grainline, drew a line parallel to the cut line 3cm away and taped the upper bodice piece to that line, lining up the grainline. Then I marked a dart at the side seam, the point of which is 5cm short of the bust point. Then I trued up the front line, crossing my fingers that I’d got the curve right! I used the lengthen/shorten lines on the trouser pattern to shorten the crotch depth. I also decided that when cutting I’d move the shoulder line to the 18 on the front, giving me another 0.75cm of length in the front. Maybe I needed it, maybe not! Time will tell once I’m actually wearing the jumpsuit on a regular basis.
The nature of the fabric is also showing up one tiny flaw. I do need to add some width to the bodice front. Because of the cut of the bodice and the kimono-like dropped shoulder, I have little “boob wings”. There is a triangular section of fabric running from the bust to where the armhole would be. So I need to fix that before making another. It didn’t show up so badly in the soft cotton duvet cover toile, so I thought I’d get away with it…
My fabric is a 3m length of 140cm wide navy Irish linen, 137gsm. It has a crisp handle, but is lightweight and hangs beautifully. It’s been in the stash for a while, and I’d fogotten it was as crisp as it was, but I wasn’t going to buy any more fabric just yet. It will soften with washing ( eventually) but will never quite loose that crispness. The colour though, is great, rich and with lustre.
The cutting layout has you open the fabric to a single layer, right side up, and cut each piece individually. This is because the designer is looking at the best way to cut the pieces with the least amount of wasted fabric, which, with the size and shape of the pattern pieces, is high. So leave plenty of time to do the cutting out!! And follow the diagram, or you’ll be caught short. Seriously, I recon it took as long to cut the pattern as it did to sew the toile!! However, I only had small bits of linen leftover, so it was the most efficient way to cut.
The pattern itself is easy to put together. You have the option of making it “sleeveless” which really means a short, dropped shoulder sleeve, or adding the sleeve, which gives you long sleeves. This means you can make this jumpsuit for cold weather! I quite fancy making a wool suiting version and wearing a poloneck like the Tessuti Monroe underneath. The front of the bodice is bound with self bias binding, but you can make a bit of a statement if you go for a contrast colour or a different pattern. The bodice is staystitched before the binding goes on, so there’s no chance of stretching the front. The only thing I did differently was to overlock all the pieces before I started sewing, instead of neatening as I sewed.
I really love, love, love this finished project. It’s good to wear, shows no boobage when bending over (a critical aspect of any cross-over top) and stays put when moving about. I double checked that one by doing a crazy lady dance in my sewing room. In hindsight, I could probably easily loose another 2cm in the crotch depth and still have room to sit without squeaking. It is a very forgiving fit! The choice of size 16 was perfect, and while I could size down to a 14 for the width of the legs, this is a wide leg jumpsuit in a lightweight fabric, so no harm done. I will also be removing about 3cm in the leg length. Looking at these photos more shows that they are a tad long on me, you cannot see enough of that overwhelmingly white ankle, just about the same colour as my trainers!
I’m heading home – back to South Africa – for three weeks over the Easter period, and this is going to be the very first item that goes into my suitcase! Along with a large bottle of fake tan… I hadn’t deliberately decided this time to make anything for the trip, so this is a bonus – mostly because I didn’t think the pattern would be available until the summer. So, would I recommend it? In short – yes. I’ve seen it made by tall slim people, and by shorter, fuller figured people, and it looks good both ways. I’m not the tallest person on the block at 1.65cm, but the proportions seem to work. The fit is relaxed and loose, but you don’t feel like the saggy baggy elephant. I have a feeling this will work on pretty much all body types.
Now, will I make another? Heck yeah! I’ve just remembered a black 3m length herringbone linen that’s in the stash, bought 2-3 years ago when I first thought I’d like to try the jumpsuit trend. Might even do the sleeves with that fabric, it has more body than the navy I’ve just used! But first, I have a couple of Kabuki Tees I want to make, and some grey jersey that wants to be a Stellan tee, and make my first ever Style Arc trouser pattern, and I need to make two things for Daughter No2 that I toiled the week before last, and….. BIBS! I want to make a pair of hazel linen Burnside bibs to take with me! Oh boy. There is still the allotment and digging in of muck and starting of dahlias and sowing of seeds to do too. Oh help.