This project is a brilliant stash-bust! You know when you buy a piece of fabric that you just know can only be used for the perfect project. It’s that piece that may not necessarily have cost a lot of money, but it’s valuable, non the less. I have a couple of those, and this last week I finally used one! It’s a piece of ivory silk satin with grey, black and putty coloured spots. I recon I bought it at least 10 years ago, probably from Rosenberg & Son!
I regularly haul it out of the silk box, pat it, promise it a pattern one day, and return it to the darkness. But it’s been out of the box since the Autumn, I was determined to find something! And that something is Blouse 114 from Burdastyle January 2016. The red version I made a couple of weeks ago has been a welcome addition to my wardrobe, I love the sleeves and the overall feel of the top. So I went for it!
I added 3cm to the length of the original version, which followed the length for version A in the magazine. I also changed the hem depth to 2 cm so it would be easier to double fold. The slit in the centre front was lifted 3cm and I’m much more comfortable with that. Then I added 2cm to the bust depth, inserting a small dart in the side seam to keep the shape and length even. It’s worked pretty well, and for some reason feels roomier, width-ways, than the red top!
It feels amazing to wear, the silk is just so drapey and lovely. The seams are all French seams so there’s no fraying, and that stuff did fray! I hand stitched the bias binding to the inside of the neckline. I figured that was one place I could do without wobbly visible stitching, and if there was a place my stitching would wobble, it would be there!
So that’s it for the January edition of the Burda challenge 2018, I have my sticky little paws on the February edition already (recon my phone calls to the manager of my local WHSmiths must have lit a bit of a fire under her chair) and have grand plans!!! I also have loads of knickers to finish… phew.
Hila has done a round up of some of the challenge projects done so far in January, go and take a look, and join in if you like!
Sometimes you have to have early Christmas presents. Those are the sort whose usefulness will be reduced if you have to wait for Christmas Day to receive them. Definitely the case with coats!
Daughter No 1 spotted the long line blazer in the May 2017 issue of Burdastyle and immediately put it on her list of things for me to sew. We just needed the right fabric – same old story. So the project languished with all the others I desperately want to get on with, but am held back on. The arrival of Autumn heralded a change round of fabric boxes, summer stuff into the back reaches of the cupboard, winter weights rediscovered. And in that box was a 2.5m length of grey wool with a darker windowpane woven through it. I’d bought it from Croft Mill Fabrics 2-3 years ago and never got round to turning it into the “perfect jacket”.
But it could be the “perfect coat”. The blazer in the May Burda was made with crepe, soft and draping. But this was no heavyweight coating fabric – I thought we could gamble. As luck would have it, Daughter No 1 rather likes grey and gave her seal of approval to it’s use for her coat immediately. I also had a lovely dark blue satin lining in the stash (bought for the grey wool) that proved enough for the coat.
A few adjustments were necessary, she didn’t like the slits in the side seams of the original coat pattern, so these were omitted, and she wanted less volume in the back. I took the centre back seam in a total of 3cm at the waist, and 1cm on each side of the back panel where it joined the side panel. This gives more shape to the coat, and eliminates the need for a belt, or half-belt as in the original design. I made small adjustments to the seams where the inseam pockets were to be inserted to that they’d be more invisible and have less bulk at the seam.
I pinned the checks of the windowpane together in a 20cm grid to ensure nothing moved around and to make sure the pattern would be easier to line up afterwards. I drew lines on the pattern pieces to make sure I was laying everything out exactly and that the patterns would match. It took some time, but was definitely worth it in the end. I chose the speed tailoring route rather than traditional, time was of the essense here, and while I know you get a fabulous look with traditional tailoring, I think you can get just as good a finish if you use speed tailoring correctly.
All in all, it took 5 days from starting to cut until the coat was finshed. I took my time, no rushing, and I’m dead chuffed with the result. My second coat was to be a very different one, but there was a little change of plan after the first one was seen…
Originally Daughter No 2 was looking at a more slouchy fit coat, dropped shoulders, slight cocoon shape. I’d already got the wool, 3m of the most beautifuly soft lambswool from Fabworks Online. And the colour? Most appropriately named “Autumn Maple”. It’s gorgeous!! On a flying visit home from Uni, she spotted the grey coat hanging in a wardrobe, tried it on and fell in love. Thank heavens it didn’t quite fit her properly or I’d have been looking to make another for Daughter No1!!
So I needed to trace the bigger size of the first coat, lengthen the sleeve by 4cm and make the same alterations in the back, and to the pockets, as I’d made first time around. This fabric is a coating fabric, so I made the upper collar a little bigger that the first one to accommodate the turn of cloth, as well as the revers and remaining centre front. (Tip, when making coats and jackets, always make the upper pieces bigger, never trim the under pieces smaller).
Again, taking 5 days and working carefully with my interfacings, organza cloth and clapper, I think I managed to turn out a lovely looking coat! I love the lining fabric which she chose from Fancy Silk Store. The gold spots pick up on the orange of the coat and just shine. I chose a dark bronze snap for the closure and attached it with nice neat buttonhole stitch. I was tempted to use a brown or dark thread for this, but the orange makes it look like a star, and that I like.
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Both girls love their new coats, and the different fabrics and colours are enough that they don’t look like they’re wearing the same thing when they’re together. At least, I hope not!! They look amazing, and warm and cosy, which is the most important job of a coat.
Now there’s still the matter of a certain coat for Mr W… It might have to wait for next year. There are plans afoot for trousers, more sweaters and some self drafted goodies for Daughter No1’s boyfriend. If they get going before I have a “suitable” lining for the famous coat, they will be done first! 🙂
There’s a lot of sewing to catch up on, so here goes. Two years ago I made a purchase of two pieces of grey wool (amongst other things – of course) from Croft Mill Fabrics. One of the pieces of wool is a suiting weight blend of viscose and mohair, and really wasn’t what I’d expected when it turned up! I pictured something thicker and warmer – snuggly… This was fine, had a sheen and was rather fluid. So it went into the stash until I could come up with something.
Eventually, after making this pair of Burda trousers earlier in the year, I decided to reuse the pattern and finally make up the silver grey fabric. Go stashbusting! I opted for the longer length view and the mini turn ups, leaving off the welt pockets at the back. I don’t use the ones on the other trousers at all, and it’s just annoying to have to iron the darn things flat each time.
I used the same fitting alterations as the last time, but didn’t shorten the pattern at all! There is no stretch in this fabric at all, and it’s shown that I probably need to make a chunky calf adjustment. It wasn’t a problem with the last pair because of the stretch content. Because the fabric is so thin and fine I decided to add a little something and raided my linings bag for something suitable to line the trousers. I picked out a green viscose lining and used it to half line the fronts.
There are no contrast fabrics anywhere else, the waistband and pockets are all in the main fabric. I’m really happy with the result, although I can see that they may not make it all the way through winter, being so thin. But they’re surprisingly warm(-ish). I love the mini turn-ups, and the finished length is perfect for wearing with heels or my silver brouges. Definitely making another sometime. I’ve worn them once a week since I made them, which is a good sign!
More catching up to come, although it won’t be stashbusting…
Making a start on delivering on my revised sewing plans for the last 1o days in March. I might have been ever so slightly optimistic about what I’d get through when I changed tack in my last blog post, but we should always aim high…
So of the 7 projects I had on the new list, I managed 5. I’d have done better but a nasty cold (man flu) held me back badly and no sewing at all was done for at least 4 days!! That would definitely have been enough time to finish the entire list. But no matter, those projects will be on April’s list instead.
This fabric was supposed to be realised in a different pattern, but when I made the toile of 115B 8/15, I just didn’t like it. It was too straight, too long and I wasn’t convinced it would take me into spring and summer. So I nicked the pattern that was supposed to be made in the cotton voile. It was the right decision! I just love the fabric. It is viscose, but like no other I’ve had before. It’s fluid and soft and has a cool touch, not to mention a fabulous sheen that makes it look like silk. The colour is just stunning too. The fabric was bought 5 years ago from a shop called Tatler’s in Derby.
The front of the top has been lengthened by 10cm and the line flows well into the dipped back hem. I also omitted the opening on the back, only having the button loops on the yoke. It isn’t necessary to open the buttons or to have the extended opening to get the top over your head. Those are the only changes made to the pattern. Usually I would have used French seams on this fabric, but in the interests of a quick make, I overlocked the lot. I do love this pattern, having made a fair few versions over the years in different fabrics. This might just come close to beating my up-to-now-favourite, the black and white spotty silk version.
I’ve no regrets at all about switching patterns on this top, the cotton voile will be allocated a different pattern, perhaps one with ruffles…. There have been a load around on Instagram and although I’m not a ruffly person, I’m ever so slightly tempted….
Stick around, the other items on the list just need photographs (although I’ve worn a couple already). I am missing my resident photographer and am in the process of training up Mr W. It’s a slow process….. 😉
Last month’s sewing, planned, executed and only slightly delayed in being blogged and shown off! Most of my plans have been to make more tops -for me. My stash had a few pieces of grey viscose jersey, all slightly different shades, ever so slightly different in handle and weight too. In addition to this, I’d got two grey fabrics in South Africa, one a knit with a texture in the knit. So you could call this my shades of grey adventure, but I’m not going there….
First up is a grey stripe viscose jersey knit from Croft Mill Fabrics, bought at the end of September. I opted to make the Maria Denmark Birgitte, using the three quarter sleeve and v-neck option. This really is a quick pattern to make, about an hour or two of your afternoon should suffice. My adjustments from the original pattern are simple, shorten the body by 3cm, and add an FBA.
Next, the textured sweater knit. I suspect this has a fairly large man-made fibre content, given how static it becomes with wear! The pattern I chose is 107 from Burdastyle January 2015. It has been on my to-make list for some time, one of those waiting for the perfect fabric, as always. This might not be the perfect fabric, the pattern probably really needs something with a bit more body, but this is what I had and I wanted to use it up!
I liked the shape, the neckline and the dropped shoulders. The pattern itself is simple, only 3 pieces. It promised to be another quick make! Now, if you really want to make it quick, add hem allowances to the sleeves and body pieces, and make a facing for the neckline. I wanted a contrast, both in texture and colour, so wanted to use the binding to add detail. I used some of the fabric left over from a previous (and again, unblogged) top.
It took a little while to get the binding on, but oh boy was it worth it! It wasn’t tricky, just needed time and concentration. I love the contrast and the way it highlights the curved detail on the sides and the neckline. That neckline is perfect for showing off a pretty pendant. I made this without any adjustments, deciding that there was enough ease in the pattern to make it fit, but completely ignoring the fact that the other half of the FBA adjustment still needed to be made. What was that about concentration??
Never mind, I have a cosy, comfy sweater I like to wear, and a stripy tee to wear under it! My grey tee shirt adventure will continue, I finally made a Lark tee!! That and more, next time, there might even be an update on the new list for March.
Or, sewing plans interrupted and replaced with new, more exciting plans! At the beginning of March I made a list of the project I wanted to get through this month, using my free calendar/planner. Of the 7 planned projects I’ve done 2 & 2 are half way. But I’m not excited by them, they are just jobs to do. So I’ve got a new list!
Item one, the one that’s actually cut and in progress. I’ve wanted to make this top for a while and this weekend realised I already had the perfect fabric! The pattern is 105 from Burda magazine 2/2016. The fabric is silk satin and I’ve never seen anything quite like it before or since !
Item two is another top, this one from the original list, one of the half done projects because it’s been toiled and is ready to go. It’s Lekala 4286 & will be made in a 70s polyester floral print with the biggest, brightest print ever!
Item three is another Burda top, a pattern I’ve used before and really like. The fabric is cotton voile from Fabric Godmother about two years ago. Pattern is #138 8/2011.
Items four, five and six are culottes #104 2/2017! Following the success of the previous pair I found two pieces of fabric for daughter no1 and one for me!😇
Item seven uses this beautiful blue viscose I bought in Derby I think five years or so ago, time flies!! I’m making another Burda pattern, top #115B 8/2015, which is another that’s been on my list for a while.
And last, but by no means least, item eight is another top, another Burda pattern. This time it’s #103 from 2/2016, using a really pretty bit of white broiderie anglaise that’s got a silver finish and grey jersey from the Fancy Silk Store in Birmingham.
So, enough to keep me busy for the next ten days?? 😉 Do you throw out your plans when things don’t really excite you enough to provide motivation to get them done? Or are you a good planner?
Dreams of winter coats… Now maybe in a colder, snowier climate, white and cream are fine for outerwear, but it’s not the most obvious choice for a coat in the UK. It’s far to wet and muddy here in the winter. So why make a white coat you ask? Because I had the fabric, is my answer!
I spotted this “coat” number 117 in the September 2015 issue of Burdastyle magazine and rather liked it. Not altogether my style, but something about it kept me coming back to look at it. Then I remembered I had 3m of off white/cream basketweave English wool in my stash. I’d bought it from Arkwright’s Mill in Derbyshire in 2012 for a song, £6/m!! Originally I had intended to dye it, even on a good day that amount of cream/white does nothing for me. But how do you dye a 3m x1.5m length of fairly heavyweight wool? I certainly didn’t have the facilities. So it sat in the stash.
I thought, if I made the coat in the wool and it didin’t turn out quite right I wouldn’t have lost anything, beause the fabric wasn’t doing anything anyway. I thought I’d make it a little better for me by buying an awful lot of dark grey herringbone cotton tape for all the edges. Of course, having mis-read the amounts, I bought 20cm too little and had to get another whole metre to rectify it, but that’s all done.
The pattern pieces are huge! I suddenly wasn’t sure I had enough for the whole thing,but managed to fit all the pieces on the fabric by opening it out and cutting in a single layer. The belt had to be pieced but I don’t think it’s noticable. The tape was sewn on by hand – all of it! I ironed the tape in half, lengthwise (of course) and pinned like mad. I sewed one side, then the other, in sections and mitered all the corners. That’s a shedload of hand stitching folks.
So, the pattern itself. It’s a big, chunky style, narrower at the hem. I used the overlocker for everything as the insides are easily seen and the coat is not lined. There are no hems or facings, the edges are bound with bias or seam tape. The belt goes through a slit in the right front/side to wrap around the body, but apart from that slit, there’s nothing holding the belt in place, so you have to wear it tied up constantly, or leave it off. I added a chunky belt carrier to the centre back to there’d be more support for the belt, but in actual fact, now I am wearing the coat I prefer it unbelted.
I stil wasn’t sure whether or not it was “me”. Wrapped over and tied up I felt like a bag of potatoes. There was too much cream, too much bulk. I’d made the 44, but wonder if, with the size of everything, that a smaller size wouldn’t have been better. Possibly it just doesn’t suit my body shape. Those big flappy “lapels” all in white over my front just seem to enlarge everything from where I look – down.
After making it in plenty of time for the cold winter the coat languished in my wardrobe. It was never cold enough to wear! Until last week, finally proper winter temperatures, frost on the ground and the car. Cold enough for a heavy, warm wrap around coat. I make sure to wear it with dark coloured clothes and scarf, and never, ever tie it shut! It looks better draping down and the dark scarf and trousers underneath at least give a hint that there might be a shape under all that bulk! Saying that, the cream is still the least practical colour I could ever have chosen to buy! I must remember that although dying fabrics is a great idea, I need to actually be able to do it.
So for now, I wear the coat. I don’t love it and I don’t think it’s amazing, but it is at least being worn. You never know, I might cut it up and make something else out of it for next winter! Or send it to a charity shop, which would be a shame….
These photos were all taken after I’d finished the coat back in October, sadly thankfully I have no-one to take a pic of the coat belted, seriously, you really wouldn’t want to see it anyway. I am working on a pair of Birkin Flared Jeans by Baste & Gather at the moment, looking forward to seeing them with this coat! 🙂