I’ve finished my new coat, and I’m seriously in love!! Now that it’s all finished, I can’t believe I’ve taken so long to make this pattern, it’s wonderful! I bought the Pepernoot Coat pattern from Waffle Patterns when it first came out – which is some years ago now – and really, I could have had a few in my wardrobe by now. I think an unlined denim version, made from old jeans would have been fabulous for the summer here in the UK! (Might have to make that happen…)
So, you’ve seen most of the Work in Progress, and gone through the adjustments I’ve made already, so this is just to finish off and show off! As said already, the fabric is cashmere, originally from Truro Fabrics. I eventually chose the mustard gold lining from The Lining Company for the inside, and it was the perfect choice! I ended up cutting it on the cross grain to get the richness of the gold colour, the straight grain was just a bit too “meh” for what I was after!
Now, let’s talk pockets… This pattern comes with a very cool, large pair of pockets on the front skirt of the coat. They’re supposed to have a zippered opening/closing, but I left that out. I’m not a big fan of scratchy zips on my hands, especially in the wintertime! So I knew I was going to make welts, and having decided to copy the welts on my Seasalt coat, I can say that it’s worked better than I could have hoped for. The overlapping welts “hug” your wrist once your hand is in the pocket, not letting any draft in there! Warm, snuggly pockets! Can you get any better?
I sewed the inner hood pieces with the “wrong” side of the fabric out – it’s a lighter shade of grey to the outside and I like the contrast. Mr W thinks I should have cut the facings the same way round, but I disagree. I like it this way! And the hood is just right, big enough to go fully over your head without flopping over your eyes, like some I know… I’ve worn this coat loads since finishing it, it’s just so comfortable and the fabric so soft!
So there you have it, this is officially my new favourite coat, until I make another! The adjustments I’ve made were simple ones, a small FBA sorted the front out to hang straight, and I added a small amount to the seam allowance of the armhole in the front to stop the dragging there, and inserted decent tailor’s felt shoulder pads. Without the shoulder pads the armhole was just too deep. The minute I put the pads in, the whole thing looked and felt a whole lot better. I love how this feels on, it’s just great to wear.
When Stef announced February’s theme I knew I’d be taking part! I love stripes of all shapes and sizes – and directions! I had thought the best thing to do would be to combine last month’s denim jacket and the stripes from this month – in the denim jacket! The denim I have has a herringbone pattern, so effectively, it’s stripes, right? I managed to get the second toile of the pattern fitted and checked earlier this month, but as I was too busy making coats, didn’t make the alterations to the pattern.
I then got distracted with other striped fabrics! I love stripey tees, so decided I’d have a few new ones for the summer. I started with a piece of organic cotton lycra from a local store – white with narrow black stripes. I knew I wanted to make the Basic Instinct Tee from Sasha at SecondoPiano. She has a clever formula on the pattern that helps to line up all the stripes on the shoulders and side seams – if you have a stripe pattern of the correct repeat. Thankfully, this stripe fitted the 6mm repeat, and my shoulder seams are just perfect!
Then I got stripe-happy and ordered some fabrics from Montreux Fabrics and cut another Basic Instinct Tee from the black and white stripe. Unfortunately this pattern repeat wasn’t suitable for Sasha’s clever formula, so I had to choose between lining up the side seam stripes, or the shoulders. I couldn’t have my cake and eat it too. But I tell you, keeping stripes lined up on viscose jersey is tricky! I ended up using a ton of pins and then basting by hand. Machine basting just didn’t work, the stripes all jumped and danced around and got all out of balance. If you have a machine with a walking foot you just might be better off! Anyway, I was satisfied with the matches I got, and more than happy with another comfy Basic Instinct Tee.
For my third tee, I chose the Stellan Tee from French Navy. I like the boxy shape for the summer, and the curved hem is a cool detail. The fabric is viscose jersey again, but has more weight than the black and white. I decided to try to get all the stripes lined up on this one, and marked the intersection of the shoulder seam and stripes on the pattern so I could match them. And it worked! There is only one stripe on the shoulder because of the pattern repeat and the angle of the shoulder, but it doesn’t matter, it lines up!!
So – I have managed to fulfill the challenge brief and stock up on good tees for the summer, but I still want to get that denim jacket made…. if there’s time! These three tees also tick the box of the three tops required for the Great Module Sewalong. I made a pair of trousers to go in the module, but although they’re comfy and all, they aren’t right. Why? Well… Let’s leave that for the next post, shall we?
In the meantime, let’s see if I can get that denim jacket done by the end of Saturday!!
Oh, I’ve been having fun with the coats! This is the second of the year, and boy are there more to come! Today is the chance of the Sienna Maker Jacket from Closet Case Patterns. I rather liked the pattern when it first came out, but didn’t buy it immediately. I thought about it for a while first, and when I saw the perfect fabric at Fabworks at the end of November, I knew I needed to put the two together.
I bought 3m of black windowpane wool (sold out now) and the PDF pattern and sent it off to the other half for printing. To check for shrinkage and finish change, I cut a 10cm square of the fabric and threw it in the washing machine with some other woolies. No shrinking and it actually felt less pricky and rough than before it went it! So in went the three metres. But then it sat around a while, Xmas was in the way and I wasn’t quite ready.
But move into January and I traced the pattern, toiled and made a small FBA adjustment, also increasing the length of the belt. I only needed 2cm of length in the bust depth, the width was fine. Now the pattern is ready, but I wanted to line at least part of the coat. I’d chosen the longer length, view A. The proportions are nicer than view B, and as I’m making a wool coat, it might as well keep as much of me warm and wind free as possible! But the wool wasn’t completely itch-free so I definitely wanted something more between me and the fabric. Not to mention that any garment pushed into a wool fabric sleeve will end up bunched under my armpit – and that’s just uncomfortable!
So I decided on a half lining, with sleeves, and to bind all the remaining seams and raw edges with bias binding – Hong Kong finish. I bought a couple of metres of mustard gold coloured polycotton from a local fabric store to use for the bias and raided the lining bag for something suitable for the half lining. I had just enough to cut the pieces for the back and front lining from the chopped up remains of the Pepernoot Coat, but there was no way I’d get the sleeves out of that same stuff. But I did have some striped sleeve lining….
So – now I’m ready! I interfaced facings and upper collar with a fine sheer fusible, and the coat front T-zone, sleeve heads, across the shoulders in the back, hems, and undercollar with a weft insertion fusible. I also made a canvas chest piece, inserted shoulder pads and bound all the seams and hem. The stripes lined up perfectly – because I cut out one piece at a time and laid that piece right sides down on the fabric, lining up all the stripes, before cutting the second pattern piece. I discovered that the D-rings in my stash were bought for handbag making and were far too small for the belt. Not willing to buy anything, or to spend time waiting for an online purchase to turn up, I dug through the box of vintage belt buckles and found a black one that the belt fitted through just perfectly!
I made a couple of changes to the finished garment though. First was to alter the side that the belt buckles on – the fronts overlap right over left, not left over right, on my coat. I’d tried the way it was designed in the toile and it just didn’t feel right, so I switched it. The two big pockets are enough for me so I eliminated the inside pocket and the breast pocket. I also changed the way the hem meets the back vent and the front facing. Although I have to admit that was a “work in progress” alteration, rather than one that was planned from the start.
I think if you’re using a twill or similar, that the finish as described in the instructions would be just fine, but it wasn’t right for this. So I made the hem 1cm deeper and sewed the bottom edge of the facing to that of the coat front and turned it through the usual way. I also did not double turn the hems, but rather interfaced them so the interfacing did not stick out above the hem, and bound the edges. Similarly, at the back vent, there should have just been a fold of vent and the hem double turned. Instead the raw edges were bound and I folded an uneven mitre in the corners, meeting the bound edges. And it looks good!!
The hem was handsewn in place twice. I used Herringbone stitch which is nice and strong. Even if it were to get caught and snap, the rest of the stitching wouldn’t come out, so no droopy hem. The first row was stitched about 1.5cm below the bound hem edge, and the second was along the inside edge of the binding. I did a similar thing with the front facings, using Herringbone stitch and stitching two rows vertically through the interfacing to keep the facing attached to the front pieces and preventing them from flapping about. This step is done on the machine in the instructions, but I didn’t want that sort of look.
The finished coat is rather yummy. Lining has definitely made it more wearable, I love the pop of mustard against the black. I made the size 12 based on measurements. The pattern overall, apart from the small amount of fabric needed in the bust depth, fitted “straight of the envelope”. The finished length is perfect, even for shorty me, and the sleeves finish in the right place too. I think this coat will be the perfect addition to my wardrobe, and should make it into that transitional spring/autumn season rather well too.
I just have one question. If I don’t want to wear the coat all belted up, what do I do with the belt?? It ends up looking like a tail. I’ve tried stuffing it into a pocket, but even though they’re nice and roomy, it doesn’t work – too bulky. Tying it back on itself and looping through the buckle the other way doesn’t look right either, it pulls the facings back and open. It calls for experimentation I think. Anyway, I have the shorter, view C version of this jacket traced too, I feel I might need a summer jacket.
Hellooo! It’s been a little quiet on this front lately, but rest assured, the sewing has continued! The cashmere coat is finished, I just need to get photos that do it justice! Standing in my sewing room with my phone propped up on a pile of books just isn’t doing any good. And, there’s another coat to show you now! I’m making good progress on shrinking the coating pile – at last! Again though, I need some nice sunny weather and a helper to get some decent photographs.
With the coat and jacket sewing, there’s good focus, but I need little, quick projects to break it up a bit. That’s partly why I thought signing up to Stef’s #SewYourWardrobeBasics would be a good idea. There’s no pressure, you participate in that month’s challenge theme if it suits you, and don’t if it doesn’t. So far, so good. This month is stripes, and if you’ve been following me for any length of time, you’ll know that that’s my favourite sort of pattern!
I decided to splurge on Tees for the challenge and bought some cotton lycra from a proper fabric shop to make a Basic Instinct Tee, and a couple of pieces online from Montreux Fabrics for a Stellan Tee and a Lark Tee. This will top up my summer tee pile quite nicely, but I wanted to squeeze in other projects too.
There’s an interesting pair of trousers in this month’s Burda that I’m keen on and might make in a linen, I’ll have to check the stash to see if there’s anything suitable. I also rather liked one of the tops in the magazine. However, when Fabworks posted on Instagram that they had a pistachio viscose ponte as their fabric of the month this month, and that was just £3 a meter, I gave in. I knew right away that I wanted some for another pair of the trousers I remade last year, 107 from August 2019. I imagine they’d be perfect secret pjs! And to go with them? That top from this February’s issue! Under it the stripe tees, and over the top, one of the coats still on the list! Sounds like an outfit on the way to a mini wardrobe – yes?
This is when I decided I might sign up to a bigger challenge, The Great Module Sew Along. The idea is to sew 2 bottoms, 3 tops and a covering/jacket. So far I have plans for all of the garrments, and don’t see why I shouldn’t be able to make the deadline for the challenge. And best of all, it gives me focus to make those quick projects in between the bigger coat and jacket projects. Oh, and there’s also the sewalong challenge in the Facebook sewing group I’m part of. This month is bottoms, so two pairs of trousers it will be! 🙂
Just to keep you on tenterhooks a little longer with the big coat reveal, here are the jeans I made a few weeks ago, and have worn almost constantly without getting any photos. Oops! I guess that at least by wearing them contstantly, you can infer that I rather like them and am pretty happy with how they turned out.
So, after the debacle of the last pair and its toile, I made the same alterations to the pattern for the slim leg jeans and got cracking. The fabric this time is black denim from Croft Mill, I can’t link to it because I got the last piece, mwahaha! It has much more stretch than both the toile and the fabric used for the wide leg version of the Ash jeans. Which means that I could, in hindsight, have made them tighter from the hip up. Is it a problem? No, not really. Certainly not enough of a problem to have me unpick the topstitching and re-do anything!!
I used a deliciously contrasting thread for topstitching this time, not denim thread (because I didn’t have enough left and was too cheap to buy more), but a similar colour to the denim thread I had. It looks pretty good against the black of the denim, and so I needed a button that would go with it too! Luckily for me, I’d had a good raid of the local charity shops a couple of years ago and had built up a collection of military buttons. The old gold/bronze colour of a particular set matched perfectly.
Pocket fabric this time comes from another one of the other half’s shirts that have got all holey in the wash. How do you guys keep your man’s shirts from getting holey along the collar and cuff edges? I swear these shirts aren’t all that old, but they’re all going tatty and definitely unwearable in polite company. Under the car or in the garden is a different matter all together…
There’s only one thing I definitely need to change about this pattern – the leg length. Remember how I said with the wide leg pair that they could do with being 2-3cm longer, but that it would be ok with the narrower versions because you can get away with shorter on tighter?? Well – you can’t! Or at least, I can’t! I’m constantly using my feet to slide the fabric down to where it should be, so a definite alteration for all versions needs to be the addition of 3cm in the leg length. Not something I thought I’d need to do, but there you go.
Also, what should be the difference between a slim leg pair of jeans and skinnies?? Because these feel like skinnies to me! Is it just that I have chunkier calf muscles? Should they fit looser? I cannot tell, having gone down a rabbit hole on google images with this pattern and got nowhere. Can anyone tell me if this is how they’re supposed to fit, or do I need a full calf adjustment??
And so I’ve completed the first instalment of the #SewYourWardrobeBasics from Stef at Sea of Teal. February’s theme is stripes – challenge accepted!! You just cannot beat a good (or bad) stripe! Is anyone else doing this “challenge”? I’m going to make a Basic Instinct Tee with my stripe fabric, I need more tees for the allotment, and I can’t wait until it’s already warm to get making!
Here we are again! I’m still working on my coat, taking to heart the idea of sewing slower this year! I cut it all out on the weekend and spent considerable hours fusing all the interfacing onto the relevant areas and tailor tacking the pattern markings so I was ready to sew. Tuesday was to be a sewing day! In the end, I only started just before lunchtime, but as I kept going until 8pm, I recon I still managed to get a full day of sewing in!
When I tailor tack pattern pieces, I also pin pieces together and pin darts to make a pile of stuff that can go straight to the sewing machine, so I had front and back bodice darts, sleeve tabs and hood pieces all pinned together ready to start. The darts were cut up the centre and pressed open, with the flappy bits stitched down with herringbone stitch to stop them flapping about!
Once darts were sewn, the yokes were attached and the topstitching done. Then I made the sleeve tabs, sewed the inner and outer hood and made up the front band. After that, I couldn’t put off the pockets and their new opening detail any longer!
New detail?? Well, I’m not overly keen on zip-opening pockets. I know they’re very practical, and they add a “sporty” touch to a garment, but zips are sharp and scratchy and my hands don’t like them very much. So I decided I’d use a detail from the pocket of my Seasalt raincoat. The pocket shape is actually very similar. They have two welts, one narrower than the other, and they overlap. The detail is suposed to mean water doesn’t get into your pocket, and having had worn the coat in the wet, I can say that’s true. So I copied that detail. I’ll do a seperate tutorial on the pocket in another post.
I tacked and basted a lot with the pocket, if you don’t want things moving, and pins aren’t helpful, basting is the only way to go! Gathering the curved corners of the pockets wasn’t tricky, and makes for a nice smooth curve. I chose to use ordinary thread for the topstitching, possibly next time I’d use something a little thicker, I’m thinking that Denim thread though, rather than the proper topstitching stuff that my machine doesn’t like. I’m not unhappy with the finish, but it does disappear into the fabric a bit.
I thought I’d show you the insides where I put the interfacing. I use Gill Arnold’s weft interfacing on the outer pieces for structure. I fused the yokes fully and cut a funny shaped piece for the back that continued the line and scooped under the armhole to support it. The front got similar treatment, except that instead of just going into the yoke interfacing line, the interfacing scoops up and over the bust area and down the front to support and reinforce that area. I extended that line of interfacing down the front skirt. Sleeve heads get interface too, I measure approx 10 cm down from the top point in the sleeve head and draw a curve into the lower part of the armhole from there, always better not to have straight lines here.
All the hems are supported too. As this coat has 4cm hems, I cut 6cm wide bias strips of the weft insertion and fused onto the hemline, 3cm from the edge of the fabric. This means that when the hem is turned up, 1cm of the inner hem has interfacing on it, supporting the fold, the rest extends up the outer fabric and protrudes 1cm above the hem edge. This is what I will stitch into when I hand stitch the hem in place, not the fabric.
The facings and sleeve tabs, front band, inner hood front edge, and the opening for the pockets were fused with Gill’s fine sheer interfacing. Those edges still need support, but not as much as the outer fabric, and to cut down on bulk it’s better to use a finer, lighter interfacing.
For the fronts, I add a canvas chest piece that helps to minimise the appearance of the hollow in the chest below the shoulders. It’s a curved piece of non-fusible canvas, cut on the bias, fused to a piece of weft insertion interfacing, also cut on the bias. I remembered I have photos and a post showing this same step, but with white interfacing, from 2012!! On each side at the top ( shoulder edge), cut out a section 3cm down, this is to enable you to keep the canvas out of the seam area while you sew front to back
Then the shoulder seam is pressed open and the canvas allowed back, turn the coat to the right side, and, supporting the body pieces, allow the coat to hand over your hand, simulating the shoulder. Pin the canvas in place through the back shoulder seam allowance, close to the seam.
Turn to the inside and pin again through the seam and the canvas, then remove the pins on the outside and stitch the cavas to the back seam allowance close to the original shoulder seam line.
This make such a difference to how your jacket or coat looks, with a decent felt shoulder pad. This is as far as I’ve got for now, tomorrow I’ll get the hood on, sew the side seams and insert the sleeves. Then it will be time to cut the lining!
I ordered 2m of Mustard Gold interfacing from The Lining Company to grace the inside of my gorgeous coat yesterday, and it arrived this afternoon. It’s beautiful, the colour like gold, so perfect for the grey!! If I cannot find a lining “in real life” for a project, chances are pretty high that I’ll find one from The Lining Company. They have so many different types, and the colours…. I love that they send out 5 free samples, of a decent size, all properly labelled for proper decision making. And they’re fast… I just use their standard first class postal service, it arrives the next day anyway!! (no selling fee here, just my personal recommendation).
Well, here we go with all the coats and jackets! I traced 5 jackets and coats over the weekend, so I’d have no more excuses to get started, because a toile doesn’t take long to make, given it needs no interfacing and hours of pressing. They just need suitable fabrics, something sturdy and with a bit of body and weight – you can’t successfully toile a coat using an old cotton duvet cover!
I have the main fabric for all of these patterns, and lining for the two Burdas. The Sienna Jacket and Grace coat are unlined, but I think I might be binding seams on at least one of them, just to make it interesting on the inside. I also have lining for the Tosti, but am thinking of padding that out by quilting it to a thin layer of interlining, for warmth. As I’m still thinking about that, I haven’t gone ahead and bought the interlining yet, nor do I have any zips or snaps or anything else to make that pattern!
I decided to start with the Pepernoot Coat because I love the big hood, raised waistline and flared skirt, not to mention those fabulous pockets! Now, I’m the sort who, once a pattern and fabric is decided upon, will put my head down and go, go, go, until it’s finished. But. I wanted to slow down this year, take a more considered approach. Even if it does mean I’m still making coats in the Spring and possibly early summer…
So, I have the most gorgeous, soft, grey cashmere for the Pepernoot, bought 3-4 years ago from Truro Fabrics in Cornwall. Everytime we’re in Cornwall, a stop at Truro fabrics is mandatory. There’s always at lease one piece of fabric that has to come home with me! 😀 But, I didn’t really think much about the lining I’d chose. So I don’t have any, and am trying to find the right colour. I don’t want grey, black, silver or anything dull.
I figured a day in Birmingham going round the big stores would solve my problem, so I headed off yesterday to visit Daughter No2 and buy lining. Except that I came home with no lining! The colours were all wrong, and most of the fabric quality was not what I wanted either, I really didn’t want a polyester lining in my cashmere coat! (snobby much?? ;)) However, in Fancy Silk stores, we spotted a very pretty jade green Chinese brocade with white and silver cherry brances and blossoms that made me think, a lovely rich green would be nice! But not that stuff, it was silk (sigh) 90cm wide and £22/m. Too rich for my little wallet, I’m afraid.
So I turned to The Lining Company instead and have ordered 5 samples of their lovely viscose twill linings, 3 shades of green, one gold/mustard and one copper. Grey and mustard is lovely, but I couldn’t shake the green idea, so we’ll see what they all look like once the samples have arrived. I did manage to get the separating zipper yesterday, so I feel I could get started with the shell in the meantime. I didn’t buy short zips for the pockets, because I have a different idea in mind, but haven’t checked that it works yet! That’s today’s task.
Along with the pocket opening treatment, I need to finish altering the pattern after performing FBA surgery on the bodice. My current measurements for Bust and High Bust are 101 and 95cm respectively, so I opted to trace the size 44, based on a full bust of 100. Once toiled with some lovely old smelly curtains from the charity shop, I decided I really needed more depth in the front, and only a little more width. So my FBA was a little contrary to the usual method, I decided the length needed and the rest followed! In the end adding 2cm on length resulted in just over 1cm of width, which has made the front lie straight, the waist seam sit parallel to the floor, and there’s a bit more room across the chest. I’m not sure why, but the measurement across the chest, armhole to armhole, is quite narrow on this pattern, made a little better when I insert a shoulder pad. I’m not wide in that area, but do have an upright posture and tend to hold my shoulders back quite a bit, so this seemed a little restrictive. The FBA has allowed more rooom, but I think I’ll be altering the armhole a little.
Apart from that, I have no issues with the instructions, Yuki always has good illustrations if you’re a little stuck. I’m going to have to put a marker on the sewing machine for the 1.2cm seam allowance. I can move the needle over and keep the fabric on the 1cm line, but the tension can go funny if I do that, it’s not the machine’s favourite way to sew!
This is the post that should have greeted you at least a week and a half ago! 😀
Well Christmas went fast this time, didn’t it? Presents wrapped, food ready, party clothes prepared… And now we’re a week into January and I feel I haven’t quite touched base yet! The visitors went home just before New Years to celebrate with their friends, leaving us oldies to drink the rest of the wine and eat the remaining mince pies on our own. I had grand plans to do some sewing, but they never got started!
I have decided that this year I really do need to actually do some of the things I’ve been saying for years that I will do. Like make that *^&%££%*&) coat! Correction, THOSE coats! (I have a pile of patterns I want to make, and the fabric is sitting in the stash. We all know how much space coatings take up, so I’m very keen to get them out!) And join in with other online activities. And learn something new. And crack on with the stashbusting. Further to that I bought myself, at a special price, two quilt patterns for my birthday.
Quilts?? I hear you gasp! I’m not talking traditional quilts here, although they’re very nice and all. They’re just not me. I think it’s more the patchwork side that’s not me than the quilting. But I do love the modern quilts, all geometric and dramatic and bold. So when I saw a new quilt pattern on Instagram, I sort of fell… Soo – I have made a patchwork quilt top, still need to finish the rest of it, and I’ll show you all that later.
On the joining in side, Stephanie at Sea of Teal has launched a project to Sew Your Wardrobe Basics. It does what it says on the tin, to act as encouragement to get those “unexciting” projects sewn. I say unexciting, but when you’ve made a new pair of jeans, it’s pretty exciting! This month’s theme is denim and I really needed to get more jeans made. After last year’s slim leg Ash jeans debacle, I’m ready to give them another shot, and hopefully this time I’ve got the sizing right…
So here we go, into the new year with promise and purpose! See you on the other side!
Jumping right in there with a work post, no hello, welcome to the new year, here’s my catch up and round up post, nothing! 🙂 I’ve been planning one of those, and just putting writing what I’m thinking my sewing will entail this year, but I just haven’t quite got round to finishing that post. Never mind, here’s something I have finally got back to, the jacket I toiled last year for Daughter No1.
The pattern is jacket 107 from March 2019, the minute I saw it in the magazine I knew it would be good for the girls, and I had just the right fabric in the stash for Daughter No1. In fact, it had been waiting for this sort of jacket for a rather long time – possibly getting on for 10 years now… Slow, moi??
I traced and toiled the 36, the smallest size in October on the afternoon she was due home for a weekend visit, along with a number of other pattern, intending to do a mass fitting! The jacket was met with great approval, most of it was fine, but there were going to be alterations due to the fact that she’s petite and should probably really have the size 34.
Sleeves 4cm too long
Shoulder length too long, and
Sleevehead not fitting where it should.
No massive jobs there, but I found other projects that were more interesting than altering a pattern and got a bit distracted! If you follow Stephanie at Sea Of Teal, you’ll know that she’s running #SewYourWardrobeBasics this year (more info in another post). No fancy sews, just those things you really need in a me-made wardrobe that can get overlooked by pretty, flouncy stuff. This month’s theme is denim, and it was the push I needed to get another pair of jeans made (post still in the works). But as we’re only halfway through the month, I thought, what else can I make using denim? That’s when I remembered the jacket. It’s time.
Today’s task was to do the alterations and get started on a new toile, I want to make sure the fit is right before cutting my denim. First was to shorten the sleeves, which was quick and easy, just remember when you do this alteration to true the seamlines afterwards. When adjusting a pattern, I always note the original stitching line, and any ajdustments I do, ie. how far I moved a line, the direction I moved it in, and the date I did the deed. It helps when you come back to it later.
For the shoulder adjustment, I had to cut the yoke at the shoulder line (it has a dropped front shoulder line) and then do the rest. I made the adjustment in the centre of the shoulderline and slid the outer section in 1.5cm. Then I trued up the armhole seamline and raised the underarm by 0.5cm. I walked the sleeve head along the new armhole lines just to make sure it all still fitted ok, and we seem to be in business.
Next up, pockets. You do need pockets in a jacket, especially one that’s pretending to be a posh biker jacket. I’d marked with pins on the toile where she wanted the pocket to be, and how wide the opening was, just needed to work out the pocket bag size. Simply put, the pockets need to fit a hand (possibly with gloves on) and a phone. She’d also decreed a welt flap at the opening would look nice, so I now have those pieces all drawn and ready to go.
Now I need to toile and wait until we see her again to check the fit – unless I just post it to her and we do fitting from a distance! Thank goodness for the internet!
I made an outfit almost exclusively for one or two days wear. A bit of a waste? Well… Hopefully not! I’ve seen people making Christmas and Birthday dresses on Instagram for ages now, and I never really saw the appeal. Sure, I might wear something recently made on the day, but it wouldn’t have been made specifically with that purpose in mind. So why did I do it? I had just over a metre of sparkly sequin fabric leftover from a 1920s dress I made for a friend a few years ago. And every time I looked in the special fabrics box for other things, this sparkly sequin fabric said “Hi!”. And I love a bit of sparkle.
So I hatched a plan – use the sequin fabric for the top part of something, and go plain on the rest. I cannot see myself wearing a fully sequined getup anywhere! I just don’t lead that sort of lifestyle. I had in my mind a jumpsuit, and the Zadie fit the bill rather nicely. I wouldn’t need to try to hem or face edges, and the leg part of the jumpsuit is nice a wide, so a flowy fabric would work perfectly. I took a leap of faith and ordered 2m of black crepe from Croft Mill Fabrics and stashed the lot until I had the time to think about working with sequins again.
Of course, when not planning things out properly, something is always going to go awry. The leftover sequin fabric was’t nice and neat, and the pieces for the Zadie top are big, especially the crossover front. I just couldn’t get the front, back and sleeves onto the remaining shape of the sequins, so the back had to go. Now that’s not necessarily a bad thing, from the back you’ll still see sequinned sleeves, and it might be more comfortable to wear as a plain fabric.
But that meant I needed space on the 2m of 150 wide crepe for two lengthened (by 10cm), wide trouser legs, one (the front) with a crossover extension. And the pocket bag, tie belt and bias strips, and the bodice back. It just didn’t all fit on, so I decided to forgo self bias for shop-bought black satin bias, and to echo that, and bring in a bit of texture contrast, to cut the pocket bags from some leftover black crepe-backed satin. A bit of tuxedo vibe, if you like. To line the sequin front bodice pieces I dived back into the special fabrics box and found another leftover piece of fabric, this time a lightweight piece of dark grey satin that worked perfectly under the sequin fabric. The sleeves are unlined and would be finished with black bias instead of being hemmed.
With everything cutout and marked up, I then proceeded to have endless fun flicking sequins around the sewing room. They had to be removed from the dart area on the bodice front (FBA) and in all the seam allowances. To be fair, I tried not flicking the sqwuins too far, I needed to keep some for reinstating along the seam edges to fill the gaps. However, two weeks later, I’m still finding the little sparkly buggers under and behind things, and nestled in the pile of the carpet.
I used a narrow zigzag to sew the seams of the sequin fabric as the mesh has some stretch, then the seam allowances were zigzagged together and pressed – carefully- to the back. I herringbone stitched the seam allowance onto the back bodice so it wouldn’t be flapping around. The grey satin lining was attached to the front sequin pieces after the darts were sewn and the two treated as one. The sequins did end up making the pleats on the waistline a bit bulky, but I really couldn’t have removed any of them.
I overlocked the crepe trouser pieces and satin pocket bags before starting to sew, and French seamed the bottom seam of the pockets. As always, the Zadie goes together really easily, it’s just choice of fabric that might take time… I took this project a little slower than normal, I had no intention of trying to use a seam ripper on a mesh seam! I used just under 2 rolls of black satin biasbinding, I like the definitive edge it gives to the front, and the sleeve edges. On trying the jumpsuit on to check the hem length, however, I realised it was the right length as it was! Damn, should have lengthened the legs by 12cm! But that would have given me other issues with getting the pieces on the fabric. Anyway, it wasn’t a disaster, I just used the bias binding as hem facing, sewing it on the bottom edge with 5mm seam and turning it in to make the proper hem. It’s worked ok, and the length is now right.
And now I have a very sparkly outfit, fit for Christmas, birthdays, New Year and just about any wedding (evenings only) we might get invited to for the next few years!! I’m glad I only needed to buy the crepe and bias binding, and that the sequined fabric now has a use, rather than sitting in the stash.